{"id":328,"date":"2023-09-07T15:13:41","date_gmt":"2023-09-07T13:13:41","guid":{"rendered":"http:\/\/felixrozen.com\/website\/peintures\/maximal-art-1977-1979\/"},"modified":"2023-10-11T09:32:22","modified_gmt":"2023-10-11T07:32:22","slug":"maximal-art-1977-1979","status":"publish","type":"peintures","link":"https:\/\/felixrozen.com\/en\/paintings\/maximal-art-1977-1979\/","title":{"rendered":"Maximal Art (1977-1979)"},"content":{"rendered":"<p>Felix Rozen\u2019s painting moves. In every sense (of the term and the picture), in time and in space. What a rapid evolution since the more explicit violence of 1974! Now, signs and marks multiply,<em> cross-split,<\/em> swarm but are organized as if they were maneuvered by invisible magnetic fields, with a preference for vertical and parallel bands. Hence that music-like shimmer produced by the interweaving of so many polychrome mini-elements. In this regard, the onlooker will warm to <em>Maximal Art<\/em> among several other large triptychs, or the <em>Giant Palimpsest<\/em>, which, according to the author perhaps, no title being random, is heading toward a form of oriental calligraphy. Could the goal of this feverish impatience be to achieve the Transequilibrium which Christian Dotremont credited him with? Let us cast aside any attempt at glossarial conjectures and be content with the current result: beautiful works whose substance we shall never exhaust.<\/p>\n<p><strong>Jean-Marie Dunoyer, \u201cFrom Everywhere and Elsewhere\u201d, Le Monde, May 1979.<\/strong><\/p>\n<p>Unlike his friend Marfaing, who advised him to \u201csimplify, simplify\u2026\u201d Rozen, by his own admission, \u201ccomplicated, complicated\u2026.\u201d For him, art cannot pass through the prism of a gaze other than his own, however benevolent: it is above all, as we can but guess, an identity journey, a means of uncovering an existential space befitting his sense of scale. In this perspective, Rozen does not make art to be recognized, but to discover himself, and open up.<\/p>\n<p><strong>G\u00e9rard Sourd, Nouvelles de l&#8217;estampe, March 1995.<\/strong><\/p>\n","protected":false},"featured_media":317,"template":"","class_list":["post-328","peintures","type-peintures","status-publish","has-post-thumbnail","hentry"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.4 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Maximal Art (1977-1979) - F\u00e9lix Rozen<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/felixrozen.com\/en\/paintings\/maximal-art-1977-1979\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Maximal Art (1977-1979) - F\u00e9lix Rozen\" \/>\n<meta property=\"og:description\" content=\"Felix Rozen\u2019s painting moves. 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