IRCAM, etc.
Music
“Pretty late in my life, I was able to achieve my ‘musical dream’… After completing internships — at UPIC, IRCAM, GRM and even attending courses at the National Conservatory — I was able to compose electro-acoustic works,” Rozen wrote in May 1985. “By the end of 1984, I was even granted fellowships at the Center for Music Experiment in San Diego and in Japan where I was able to conduct musical research.”
In 1984 at IRCAM, Felix Rozen conceived, in collaboration with Marc Battier, a composition on magnetic tape entitled Spectral :
Extract from Spectral, IRCAM, 1984.
In 1984, four further works followed. Transformable Robot; Questions, with Jean-Yves Bosseur and János Négyesy; Bahnhof, with János Négyesy; and Open City, for instrumental ensemble (A.R.I./IRCAM, Pompidou Center, dir. Luca Pfaff):
Extract from Open City, IRCAM, 1985.
Then, in 1985: Noise Is Noise, for four guitars and bands (réal. Jean-Luc Mas, M.A.N.C.A/Galerie des Pochettes, Nice) and Blab II, with Volker Heyn, and Cesta, in 1986.
“Pretty late in my life, I was able to achieve my ‘musical dream’… After completing internships — at UPIC, IRCAM, GRM and even attending courses…
“Pretty late in my life, I was able to achieve my ‘musical dream’… After completing internships — at UPIC, IRCAM, GRM and even attending courses at the National Conservatory — I was able to compose electro-acoustic works,” Rozen wrote in May 1985. “By the end of 1984, I was even granted fellowships at the Center for Music Experiment in San Diego and in Japan where I was able to conduct musical research.”
In 1984 at IRCAM, Felix Rozen conceived, in collaboration with Marc Battier, a composition on magnetic tape entitled Spectral :
Extract from Spectral, IRCAM, 1984.
In 1984, four further works followed. Transformable Robot; Questions, with Jean-Yves Bosseur and János Négyesy; Bahnhof, with János Négyesy; and Open City, for instrumental ensemble (A.R.I./IRCAM, Pompidou Center, dir. Luca Pfaff):
Extract from Open City, IRCAM, 1985.
Then, in 1985: Noise Is Noise, for four guitars and bands (réal. Jean-Luc Mas, M.A.N.C.A/Galerie des Pochettes, Nice) and Blab II, with Volker Heyn, and Cesta, in 1986.
Felix Rozen at IRCAM, 1984. Extract from Noise is Noise, 1985.

Felix Rozen and Marc Battier at IRCAM, 1984.